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Portrait of a Model Yachtsman |
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| Harold Kethman and his father, Harold Sr., began sailing with the Empire MYC in New York City in the 1930's. At first, they sailed at Crotona Park in the Bronx, but eventually moved to Conservatory Lake in Manhattan's Central Park, where Empire shared the venue with the Central Park MYC. The Kethman's were active M-Class skippers with both clubs, but had an enthusiasm for all classes of model yachts, and Central Park, primarily an A-Class club, encouraged innovation and diversity. | |
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Eventually, Harold Jr. moved to Long island City and participated with the
Long Island Model Yacht Club, which sailed in Hempstead State Park. He also
sailed at times with the Mill Pond club in Port Washington. There, he became
friendly with two of Mill Pond's members, Ains Ballantyne, one of model
yachting's most notable and innovative skippers, and his nephew, Robert, a
veteran of the depression-era New York City Parks department competitions,
and an
upcoming young M-Class skipper in his own right. In 1949, Kethman and his father represented Long Island at the Marblehead National Championships at Belle Isle, in Detroit. He finished 3rd, just 6 points behind the champion, A. B. Taplin of the South Jersey MYC. |
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As early as 1943, Harold Jr. had begun to develop concepts for improved
boats and steering gear. It was his belief that model yachting should be
more accessible to the public, and youngsters in particular, by "giving
newcomers an easy boat to build, sail, and maintain...that would also be
competitive and easily transportable." Aware that interest in the
then-current classes (A, X, and M) was languishing, he wanted to stimulate
new interest in the sport. Kethman and his friend, Jim Dempsey, of Brooklyn, had been impressed with an M-Class variant sailed by Vito Caeti of the Central Park MYC from 1938 until 1943. Although it was 50" in length, it was a lightweight, hard-chine model, capable of competing successfully with displacement M-boats, even though it normally carried only 500 sq. in. of sail. |
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| After a stint in the Army, from the mid-40's and early 50's, Kethman, Dempsey and others built a variety of Delta boats, so named because in mathematics, this Greek symbol denotes "change," and the "Delta" boat was a departure from the then-current design and rating trends. By 1952, a number of Delta forms had been experimented with, and the first three "official" Delta boats were built. They were named after the Greek deities Venus, Athene, and Juno. Other Delta boats were built by such prominent model yachtsmen as James Fulton, George Meyer, and A. Posey. | |
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| By this time, the Delta boat had evolved into a light, long, and lean hard-chine double-ender with a metal fin and a Kethman-designed vane.. The double-ended form was thought by Kethman to correct the lack of balance that he observed in other hard-chine boats when heeling to windward. It carried 600 sq. inches of sail aloft. The Deltas featured a balanced rudder, which, Kethman conceded, was not so much of a design improvement, but eliminated the complication of building and attaching a skeg. This feature also allowed for safer and easier transport on trains, buses, and subways. Kethman's fin design, with its recessed leading edge, was thought to provide maximum stability and balance by placing the center of effort of the sail plan over the center of buoyancy of the hull. The center of lateral resistance was located far enough aft that the sail plan could be situated over the stoutest part of the hull. The fin was also designed to strongly support the lead torpedo and center the "root" of the fin above the center of gravity of the ballast. | |
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The boat was felt by Kethman to be a fine performer that could excel in
erratic winds or a "puff," and skim the surface in a 30-40 mph following
wind. He claimed, "She planes before a stiff wind like a 'hydro'." He also
stressed that the Delta's length to sail area ratio (50:600, or 1:12) would
allow for the "scaling down" of X-Class boats accurately to Delta
specifications. Unfortunately, the leadership of the Model Yacht Racing Association of America didn't share Kethman's enthusiasm. Earlier, Kethman has encouraged the elimination of the 5/8" keel restriction and garboard radius in the M-Class regulations, and those in power thought there was a connection between that effort and the emergence of his Delta boat. Apparently, there was no interest in admitting a boat that might eventually challenge the existing fleet of displacement "M's" in the MYRAA, even though the International Model Yacht Racing Union allowed such fin design outside the US. In the West, there were other similar efforts, such as "Gus" Lassel's "V" boat in California (ironically, first advanced reluctantly by MYRAA president Charles Farley of Boston), and the proposal of a "G," or "Gadget" Class by the Everett MYC in Washington. They, too were rebuffed by a stubborn MYRAA leadership, now headed by Charles Heistercamp (South Jersey MYC), as well. |
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Eventually, the leadership of the MYRAA shifted to the West
coast, and the ideas of model yachtsmen like Gus Lassel and Seattle's Ted
Houk prevailed for a short time. |
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In December 1953, in a letter to MYRAA Secretary C.O. Davis, Kethman, now the Eastern Division representative to the MYRAA, conceded that
the Delta Class would probably never be approved. He further rejected
efforts by Gus Lassel to permit the addition of spinnakers with a 17"
spinnaker pole and add the Delta boats to Lassel's pet project, the "V" boat.
Marblehead class skippers were still skeptical of his intent, afraid, some
thought, of getting "whupped" by a bunch of pimply-faced high school kids. |
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In subsequent years, the Deltas died out in favor of other regional boats,
but Kethman's attitude was unwavering. It appears that he continued to
harbor a distrust for a model yachting authority that was blindly
controlling and resistant to new ideas and new competitors. In his later years, Harold moved to Port Washington to be near Mill Pond and its clubhouse. In the mid-90's, he suffered a debilitating stroke. From time-to-time, his son would take him to the pond to watch the racing. He wasn't able to speak much, but he loved to talk as long as he could about model yachting. Mr. Kethman died in 1997. Jim Dempsey still lives in Port Washington, and is a regular at Mill Pond. |
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America's "New Deal" and Model Yachting |
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| During America's Great Depression in the late 20's and 30's, President Roosevelt's "New Deal" established numerous programs to put Americans back to work, improve the skills of youngsters, and develop the countries' infrastructure. The first agencies were created in 1933 and were intended to put people back to work in jobs that would serve the "public good," expand and conserve working skills, and develop the self-esteem of workers. | |||
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| The many governmental entities created for this purpose were widely known by their initials, and were commonly known as the "alphabet soup" agencies. Among these were the WPA (Works Progress Administration), the FYA (Federal Youth Adminsistration), CCC (Civilian Conservation Corps), PWA (Public Works Adminsitration), and the FAP (Federal Art Project). All of these contributed greatly to the encouragement of model yachting activities in the 30's. In fact, model yachting experienced its most rapid growth during the Depression. | |||
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The real "alphabets" and "soups" that
concerned Americans during the New Deal |
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| The Federal Art Project was, perhaps, the most "unsung" of the New Deal agencies until viewed in retrospect. Besides establishing fine art, theater, and writing projects for artists who would later become widely acclaimed, FAP photographers carefully documented the good, bad, and ugly aspects of the Great Depression and recovery, including the desirable and undesirable activities of the youngsters of America. In many cases these activities included the sailing of models. | |||
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The photos above represent undesirable activities which would, hopefully, be replaced by healthy "New Deal "activities, below. |
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| The Civilian Conservation Corps and the Public Works Administration were entrusted with community improvement and recreational projects. Teams or "companies" of men worked on Federal, State, and local properties to improve them. During the construction of giant utilities projects, like the Tennessee Valley Authority (TVA), public recreational facilities were created and improved. During the "New Deal" it is estimated that over 14,000 parks, the pride of every turn-of-the-century city and town, were improved. | |||
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| Many model yachtsmen of the period were often influential community leaders, unable to keep their full-sized craft afloat during the nation's hard times. They exerted political pressure to direct improvements to their local public parks and, in particular, their own ponds. Some of these projects were quite elaborate. In the case of Ogden Park in Chicago, a concrete-bound pool was built to the uniform depth of four feet. To the dismay of Chicago's model yachtsmen, John Q. Public found that it was the perfect place to take a dip on Sunday afternoon. In Camden, New Jersey, a spectacular "model" model yachting venue was constructed in the Cooper River basin, to what were considered to be the perfect dimensions. In many other locations, such as Long Island's Hempstead State Park, walkways and walls were constructed and repaired around existing venues. At Boston's Storrow Lagoon, on the Charles River, the construction of an overpass saved the site from destruction. Elsewhere across the country, and particularly on the West Coast, less secular model yachting projects abounded. | |||
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| America had been "caught short" by the Depression. It was widely felt that everyone should have alternate skills to fall back on should hard times continue (or return). Manual arts programs were emphasized in schools and workshops across the country, with model-building often a preferred activity, since it incorporated the development and use of a wide variety of skills and knowledge. The Federal Youth Administration, preparing youngsters and young adults for productive activities, sponsored manual arts classes which taught the use of tools and machinery. This resulted in many model-making classes, often supported by local merchants and hobby suppliers. There, youngsters crafted sail and power boats as well as aircraft models to be put to recreational use on the public parks and ponds that were being improved through the efforts of the CCC and and PWA. | |||
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| Municipal parks and recreation departments teamed up with schools and merchants to sponsor local racing activities, aided by the FAP artists, who designed promotional materials for the events, and FYA trade workshops, who executed their designs. | |||
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| The New Deal "boon" for model yachting ended abruptly with the onset of WWII. | |||
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Portrait of a Model Yachtsman |
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click on any image to expand ![]() Gus Lassel and a conventional boat at Wilmington, CA, Circa 1940 Photo courtesy William G. Bithell |
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"If ever, if ever a wizard there was....." Gus Lassel was one! When one thinks of model yachting's great builders and skippers, names like Bill Bithell and Ains Ballantyne always come to mind. Many of model yachting's greatest innovators and promoters, however, often took a back seat to their more publicized comrades. Gus Lassel was one of the many model yachtsmen on the West Coast of the USA who worked tirelessly to improve, promote and expand the sport. Although he was the perennial commodore of the Banning (Wilmington) CA MYC, Lassel was active with many of the model yachting clubs up and down the Pacific seaboard, including the San Diego, Long Beach and Los Angeles clubs. |
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![]() Members of Lassel's Wilmington CA club, where the motto was: "We are all nuts!" Courtesy Popular Mechanics, August 1953 |
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Lassel, a former Finnish merchant mariner, immigrated to the
United States in about 1904, intending to enlist in the U.S. Navy. Lassel
couldn't meet the requirements for alien enlistment in the navy, and served
in the U.S. Marine Corps until he was injured in1910. Lassel then worked in
Southern California's munitions and ship-building industies. |
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![]() At the 1938 National Championships, Berkeley CA At the far right, Gus Lassel. Far left, Ted Thorson |
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By 1940, it was apparent that Lassel's interests were in innovation and the championing of model yachting activities and experiences for youngsters. He worked tirelessly for budding model yachtsmen and naval architects through YMCA "Hobby Schools," and often assisted his like-minded friend Ted Houk, a Seattle-based model yachtsman. In the late 40's, Lassel's hard-chine "M" Class "Sunkiss," developed in collaboration with Thorson, dominated Western racing. |
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![]() A Wilmington member with two club boats. A "Sun Kiss" with the "seal-fliiper" fin is seen on the left. Courtesy Popular Mechanics, August 1953 |
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Lassel's innovations included the Seal-flipper fin and Finless Fin Keel, an odd-looking prognathous appendage with a recessive leading edge, which he thought greatly improved a boat's resistance to turbulence and drag. He estimated that he tested the keel design on more than 85 model yachts over a six-year period. |
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![]() In the workshop, Gus Lassel works on a "finless fin" keel Courtesy Popular Mechanics, August 1953 |
![]() A Lassel "M" boat with finless fin, Ca 1950 |
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Other Lassel innovations included the California Vane and Sliding Rig. As was the case with the "finless fin," model yachting authorities questioned many of his innovations, despite the fact that they were widely (and successfully) used. His designs were freely shared with model yachtsmen world-wide. |
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![]() Design for a "California" vane Courtesy Popular Mechanics, August 1953 |
![]() Lassel's "sliding rig" Courtesy Popular Mechanics, August 1953 |
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Lassel built boats for many competitors across the United States and abroad, including Norway's Crown Prince. He built countless 40" boats and "Sharpies" for youthful competitors, and sponsored "fleet-building" activities, a simple assembly-line technique for group building. Lassel developed and proposed two new classes, the "V" class and "L" class, in the late forties and early fifties. Both of these classes were met with resistance by the model yachting establishment. |
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![]() A fleet of "V" boats ashore at Wilmington, CA |
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Lassel was diagnosed with polio in 1948, but he never slowed down, often aided to meets by his friend Stafford Banks, of the Los Angeles MYC. In the 19 months after he contracted the disease, he built 29 boats, most of them for other Pacific Division clubs. He also continued to build his stainless steel sliding rig and a variety of vanes for skippers across the U.S. Gus Lassel died in 1956 at the age of 73. Today, his boats are the among the sought-after of vintage model yachts. |
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![]() Gus Lassel assists a competitor at LA's Alondra Park Courtesy Popular Mechanics, August 1953 |
![]() At Wilmington, CA Ca. 1948 |
![]() Lassel with an "X-boat" Ca. 1948 |
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